Untitled (Study for line, form, inter-zone, night sky and other in-between moments (No.3), Chinese ink on archival watercolour paper, 21 x 60cm, 2024. Spatial Construction No.1 (right), No.2 (left), acrylic on canvas and wood, 66 x 68.5cm each, installation view at Pestorius Sweeney House, 2023 The Infinite Distance Between Two Points No.6, acrylic on wall, 330 x 200cm, 2023. Photo: J Ruckli Under the Same Sky, LED lights on metal mesh, 2022, in collaboration with Archie Moore and Erika Scott On Top of the World (Botanica), chalk spray on lawn, 200 x 2500cm, 2021 The infinite distance between two points (No.8), screenprint ink on t-shirts dimensions variable, 2021 Untitled (Sunrise and Sunset in the Landscape No.8), watercolour on paper, diptych: 39.5 x 75cm, 2021; with Sarah Oppenheimer, I–001–7070, aluminium, steel, timing belts and exhibition architecture, 2021. Untitled (Mirror No.2), aluminium composite material, 122 x 488cm, 2021 The Infinite Distance Between Two Points (No.7), two parts Vinyl: 80cm diameter each, 2021 The Indefinite Distance Between Two Points (No.5), mirrors, acrylic paint on wall, 2020. Painting installation view at Pestorius Sweeney House, 2020 Sunroom: Between Sunrise and Sunset, acrylic on wall, 2020. (Dome Gallery, Museum of Brisbane) Photo: Claudia Baxter Spatial Painting Installation/Happening in Australian Bush,, 2020. The Infinite Distance Between Two Points No.4, adhesive vinyls, 45 x 45cm each, 2019 Between Me and the World No.25, watercolour on paper, 50 x 75cm, 2019 Under the Same Sky, LED lights, cotton and metal mesh, 950 x 4820mm, 2019, co-produced with Archie Moore and Erika Scott. Photo: Cian Sanders, Kim Machan. On Top of the World (No.2), chalk spray on grass, 400 x 6000mm, 2019. Photo: Cian Sanders. Parallel Universe(s) No.6 (Homage to Kazimir Malevich), vinyls, 40 x 40cm each, 2019. Parallel Universe(s) No.5 (Homage to Kazimir Malevich), acrylic on canvas and wood, 85 x 77cm, 2019 BMW No.23 (The Evening Blue of Wynnum Foreshore—Here, Now and Forever), water based enamel on canvas and wood, 86 x 93cm, 2018 BMW No.22 (Familiar Feeling/Moments), acrylic on canvas and wood, 110 x 106.5cm, 2018. Parallel Universe(s) No.2 (Homage to Kazimir Malevich), acrylic on canvas and wood, 105 x105cm, 2018 Untitled (Mirror, No.1), mirrored glass, 40 x110cm, 2017 The Infinite Distance Between Two Points No.3, two adhesive vinyl dots, 80cm diameter, 2017 Untitled (Sunrise and Sunset in the Landscape No.4), watercolour on paper, 29.5 x 63cm, 2017 Between Me and the World (Without Leonard Cohen), acrylic on wood and canvas, 65.5 x 61.2cm, 2016 (Installation view at Dirk Yates and Ellie Buttrose's residence) Between Me and the World (No.16), acrylic on wood and canvas, 120 x 120cm, 2016 (Installation view at Dirk Yates and Ellie Buttrose's residence) Between Me and the World (No.18), acrylic on wood and canvas, 104 x 100cm, 2016 (Installation view at Dirk Yates and Ellie Buttrose's residence) The Production of Space (Henri Lefebvre), book, glass cabinet designed by Liam Gillick, 2016 Between Me and the World (No.12), acrylic on wood and canvas, 111.5 x 120cm, 2016 Between Me and the World (No.6), acrylic on wood and canvas, 110 x 110cm, 2015 Between Me and the World (No.1), enamel on wood and canvas, 120 x 120cm, 2015 The Infinite Distance Between Two Points No.1, adhesive vinyl, 120cm diameter each, 2015 Untitled (blue wall, projection, people, the gap and another artwork), live feed video projection installation. Camera, projector, acrylic paint and Inland Empire (2005) by Janet Burchill and Jennifer McCamley, 2015. Untitled (Wind charm), single channel projection on MDF boards, 150 x 240 cm each, 10 minutes, 2013. [Photo Credit: Jung Dong Kwang] Alignment No.1 (Blue Monochrome, Up and Down), digital print on paper, 102 x 72 cm each, 2012. Alignment No.2 (Purple monochrome, Left and Right), digital print on paper, 102 x 72 cm each, 2012. Up/Down (sunrise/sunset), digital prints on paper, 72 x 72 cm each, 2012. Untitled (Green Monochrome on Wood), acrylic paint on wood, 9 x 9 x 180 cm, 2011. Universe Ruler, acrylic paint on wood, 2011. Untitled, site-specific video projection installation at Pestorius Sweeney House, 2010. Heaven, video projection installation, 570 x 740 mm, 2010. Other Side of the Horizon, video projection installation, 463 x 370mm, 2010. The Sky is the Limit, three channel video projection installation, 2008. Horizon No.1, 2 channel video projection, 2008. Untitled (Ledger Drawings), felt pen drawing on printed form, 29.7 x 21 cm each, 2007. Untitled (Blue Bird), digital print on paper with wooden frame, 69.5 x 86 cm, from dead logo series 2006. Untitled (British Steel), digital print on paper with wooden frame, 58 x 76 cm, from dead logo series 2006. James Birell Lookout, Perspex and steel, public sculpture at University of Queensland, 2006. Untitled (ruler), wood, 2005. Untitled (Coathanger), steel and acrylic, 100cm, 2005. Entrance to the World, c-print, 2004. Moon Flower, permanent marker on calico, dimensions variable, 2004. (installation view) Punch, oil on back of canvas, 30 x 40 cm, 2003. Other Side of Ocean, oil on back of canvas, 34cm x 64cm, 2003. Untitled (Yellow Monochrome), enamel spray from back of the canvas, 60 x 60 cm, 2003 Untitled (Red Monochrome), enamel paint from back of the canvas, 60 x 60 cm, 2003 Untitled (End), acrylic on canvas board, 35.6 x 42.7cm, 2003. Untitled (sunset), oil on canvas, 40 x 50cm, 2003. On Top of the World, c-prints, 2002. Untitled (Bugle), oil on canvas, 34 x 64cm, 2002. Compositions by External Forces, acrylic on canvas board, 30 x 40cm each, 2002. Conditional Paintings, acrylic on various supports, dimensions varied, 2001. Walking on the Track of Lamington National Park in the Dark (finger painting), oil on canvas, 55 x 60cm, 2001. Bedroom, oil on canvas, 60 x 55cm, 2000. What is on the Other Side of the Bush?, oil on canvas, 40 x 50 cm, 2000. 650 MBs of Space, oil on canvas, 60 x 60 cm, 2000. home